
ya hangin with NOTHING to listen to would I? Well, how about some Public Image Limited, to wash that Clutch right outta yer ears........TOLD ya I am the king of bloggersphere variety, NOW whatcha say?
OK, Pil were Johnny Lydon's (Rotten's) post Sex Pistols project, it was meant to, if I remember correctly, "destroy rock n roll" which "deserved to die" because it was over 30 years old (just a guess but I'd bet good money that at the time John Lydon was ALSO over 30 years old, but, ahh, well....)...
The personnel has shuffled over the years, Lydon being the only constant, but in the beginning (1978) there were Lydon, guitarist Keith Levine, bassist Jah Wobble, and drummer Jim Walker.....this was "anti-rock", which quickly became, as I recall, one of the first to earn the label "post-punk"......about as far from the Pistols (or anything else, really, as it could be), this was droning, slow paced stuff with Wobble's bass mixed way up front, and Lydon's sneering, incoherent "vocals".......imagine, though, the furor that was raised among the "hip" music audience at the time, when we "learned" that the Pistols were passe'? THIS was the "music" of the future"?

1979's "Metal Box", like it or not, was one of the most revolutionary albums, well, ever, just in format.....originally pacakaged as three 45 RPM records inside what appeared to be a film cannister, these discs were EQ'd at some of the most smoking hot levels ever recorded......just amazing if you have ever heard the originals......later released on more affordable vinyl (and later, CD), but if you ever have the chance for the original "Metal Box", you'll be amazed (this is the CD version, not quite as hot as the original)....even in thiss format, "Albatross", "Chant", "PopTones" and more survive to this day, although MUCH more as historical footnotes than as "heavy rotation" stuff......

would not even pretend to lyp-sync......they had a disasterous "Tomorrow Show" appearance with the Thought-he-was-hip Tom Snyder......they performed a show in NYC from behind a sheet so the audience could not see them, as Lydon gleefully chanted "Are you getting your money's worth?"......oh they were MUCH more fun to follow than to actually listen to.
"Paris Au Printemps" which I have in glorious vinyl here, is a live recording, most notable for Lydon's audience-baiting rants (sample: "I'll walk off this fucking stage if you keep spitting......DOG!"), it is a decent summary of the first two releases, "Chant"and "Attack" come off pretty well.......
OK, for me they pretty much lose it here.....Wobble left the band, and "Flowers of Romance" (1981) has next to no bass parts on it, and Levene takes up synth......it's a VERY difficult album to listen to, I DO know people that like it (my brother for one), but you decide for yourself......their time had come and gone, and yet, they continued to "kick out the Jams" (supposed to be funny, there).

The last of thier albums that I happen to have is 1984's "This is What You Want......And This Is What You Get"......it's an attempt to re-do "Commercial Zone", it's OK, I guess, but really.......zzzzzzzzzzzz....they have made a few more albums since then, but hey........

FIRST ISSUE-01 Theme/02 Religion I/03 Religion II/04 Annalisa/05Public Image/06 Low Life/07
Attack/08 Fodderstompf

PARIS AU PRINTEMPS-01 Theme/02 Chant/03 Careering/04 Bad baby/05 Low Life/06 Attack/07 Poptones
FLOWERS OF ROMANCE-01 Four Enclosed Walls/02 Track 8/03 Phenagan/04 Flowers of Romance/05 Under the House/06 Hymie's Him/07 Banging the Door/08 Go back/09 Francis massacre/10 Flowers of Romance (Instrumental)/11 Home is Where the Heart is/12 Another

Reed Part 1/07 Lou Reed part 2/08 Blue Water/09 Miller High Life
LIVE IN TOKYO-01 Annalisa/02 Religion/03 Low Life/04 Solitaire/05 Flowers of Romance/06 (This Is Not a) Love Song/07 Death Disco/08 Bad Life/09 banging the Door/10 Under the House
THIS IS WHAT YOU WANT.....01 Bad Life/02 (This Is Not a) Love Song/03 Solitaire/04 Tie Me to the Length of That/05 The pardon/06 Where Are You/07 1981/08 The Order of Death
What are your thoughts on this controversial band? How does the music stand up 35 years later? Really like to know your opinions on this......